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For television, the cinematographic work on Supernatural has been quite consistently precise and meaningful over the years. But in the case of such an important episode of the series as 'The End', the lighting and shot composition work (done by Serge Ladouceur with this week’s director, Steve Boyum) held an especially prominent position. While naturally easy to discount, the work here was essential to the success of the episode while also lending a richer meaning to the text itself. Since I had some extra time this week, I couldn’t help but highlight a few moments that left me absolutely delighted to see. ;)
( 'There is a Reason to Hope': The Cinematographic Use of Lighting & Shot Composition in SPN 5.04 [PICSPAM & META] )
Also, a quick INSTA!FIC-REC! This takes a stab at two scenes missing from 5.04 and ties them together so masterfully it's immediately personal canon for me:
FIC: No Love Greater Than This [Dean, Sam, Lucifer, spoilers up to 5.04]
( Just a bit of commentary, but I'm cutting because I'm nice... )
And, a HAPPY WINCHESTER DAY to all! Otherwise known as the TV Day that Broke the TV Viewers Backs. I'm actually kinda hoping this show won't break my brain quite so horribly the next couple weeks and I'll have some time to watch and talk about some other shows soon. We got our hope, now where's that fun apocalypse, Kripke?
( 'There is a Reason to Hope': The Cinematographic Use of Lighting & Shot Composition in SPN 5.04 [PICSPAM & META] )
Also, a quick INSTA!FIC-REC! This takes a stab at two scenes missing from 5.04 and ties them together so masterfully it's immediately personal canon for me:
FIC: No Love Greater Than This [Dean, Sam, Lucifer, spoilers up to 5.04]
( Just a bit of commentary, but I'm cutting because I'm nice... )
And, a HAPPY WINCHESTER DAY to all! Otherwise known as the TV Day that Broke the TV Viewers Backs. I'm actually kinda hoping this show won't break my brain quite so horribly the next couple weeks and I'll have some time to watch and talk about some other shows soon. We got our hope, now where's that fun apocalypse, Kripke?
