VID: 'Blackbird' [SPN, Sam]
Oct. 27th, 2009 12:22 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Oh, man, there are no words for how fulfilling it is to finally finish a vid whose song has been staring at you on your ‘to vid’ play list for years...
‘BLACKBIRD‘
Sam Winchester in Season Four
Song/Artist: ‘Blackbird’ by The Beatles (both original and Across The Universe) versions
Vidder:
zimshan
Show/Character: Supernatural/Sam Winchester
Length: 2:29
Summary: Into the light of a dark black night, you were only waiting for this moment to be free
Links: MPEG (640x320) (29 MB) | AVI (640x320) (26 MB) | BAM Vid Vault (Streaming)
Disclaimer: All clips property of Eric Kripke, WB & The CW. I claim no ownership of anything in this vid other than the editing I have done myself.
Find more videos like this on BAM Vid Vault
Special thanks to
dev_earl for taking a last minute look at this and helping me frame the vid‘s overall tone!
CONCEPTUAL & TECHNICAL NOTES
No joke, this song has been sitting on my ‘to vid’ playlist waiting for its source FOR YEARS. At least since Season Three maybe even before that, I can’t even remember anymore. For so long, it was a simple, one-note idea, a somewhat sinister take on an otherwise hopeful song. Instead, Sam’s story progressed into one that grabbed me by the heart strings, and so the idea has morphed slowly with time. He’s a damn hard character to capture, and I’ve had a hell of a time getting a song works for him. I can’t tell you how many Sam vids I’ve scrapped over the years. But the guy just breaks my heart with how hard he continually tries despite it all. And I just wanted something to finally capture that.
For this vid, in my mind, the black bird referred to here is a raven, recognized by multiple cultures to be the bringer of both death and wisdom. And so just like the bird, there’s a duality in the song of the dark and light, sadness and hope. While the real author’s intent on this song is pretty widely known, there have been many personal interpretations over the years derived from it as well. For me, it has always captured the desperate will to push forward, the risk you take in always trying, and the wisdom you gain after an inevitable fall. So it’s slightly hysterical that only now after completing this, do I fully notice just how much it captures Sam, especially recently.
I applied on the song here a slight double displacement, an old producer’s trick to achieve a thicker, fuller sound. In this case I was interested in highlighting the song's inherent duality by making a physical disconnect as well. So double Paul McCartneys for you all! :)
This is also my first non-Ulead video. Working with Vegas instead was an interesting challenge and the main reason this thing didn’t get finished this summer. It was definitely a learning experience, right from the first clip laid. But in retrospect, had I known what I was doing when I first started this, my approach would have been different and probably would have resulted in a very different vid. In this case, I think going into the dark black night only helped it. I did have trouble retaining the quality of some clips after coloring and effects, some of which I fixed, others of which I'm still wishing I could have fixed. But I love the freedom of pretty credits now, and wouldn't go back for anything. ;)
And yes, that is the Across the Universe version in the beginning and ending. I wish the two versions flowed into each other better, but I tried to supplement the change as much as I could with an audio bridge (stolen from Andrew Bird‘s [ha!] "A Nervous Tick Motion From The Head To The Left" if you're having a 'where have I heard that?' moment).
LYRICS:
Blackbird singing in the dead of night
Take these broken wings and learn to fly.
All your life
You were only waiting for this moment to arise.
Blackbird singing in the dead of night
Take these sunken eyes and learn to see.
All your life
You were only waiting for this moment to be free.
Blackbird fly, Blackbird fly
Into the light of the dark black night.
Blackbird fly, Blackbird fly
Into the light of the dark black night.
[Bridge]
Blackbird fly, Blackbird fly
Into the light of the dark black night.
Comments are like cake and cookies with frosting on top. :)
‘BLACKBIRD‘
Sam Winchester in Season Four
Song/Artist: ‘Blackbird’ by The Beatles (both original and Across The Universe) versions
Vidder:
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Show/Character: Supernatural/Sam Winchester
Length: 2:29

Summary: Into the light of a dark black night, you were only waiting for this moment to be free
Links: MPEG (640x320) (29 MB) | AVI (640x320) (26 MB) | BAM Vid Vault (Streaming)
Disclaimer: All clips property of Eric Kripke, WB & The CW. I claim no ownership of anything in this vid other than the editing I have done myself.
Find more videos like this on BAM Vid Vault
Special thanks to
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
CONCEPTUAL & TECHNICAL NOTES

No joke, this song has been sitting on my ‘to vid’ playlist waiting for its source FOR YEARS. At least since Season Three maybe even before that, I can’t even remember anymore. For so long, it was a simple, one-note idea, a somewhat sinister take on an otherwise hopeful song. Instead, Sam’s story progressed into one that grabbed me by the heart strings, and so the idea has morphed slowly with time. He’s a damn hard character to capture, and I’ve had a hell of a time getting a song works for him. I can’t tell you how many Sam vids I’ve scrapped over the years. But the guy just breaks my heart with how hard he continually tries despite it all. And I just wanted something to finally capture that.
For this vid, in my mind, the black bird referred to here is a raven, recognized by multiple cultures to be the bringer of both death and wisdom. And so just like the bird, there’s a duality in the song of the dark and light, sadness and hope. While the real author’s intent on this song is pretty widely known, there have been many personal interpretations over the years derived from it as well. For me, it has always captured the desperate will to push forward, the risk you take in always trying, and the wisdom you gain after an inevitable fall. So it’s slightly hysterical that only now after completing this, do I fully notice just how much it captures Sam, especially recently.
I applied on the song here a slight double displacement, an old producer’s trick to achieve a thicker, fuller sound. In this case I was interested in highlighting the song's inherent duality by making a physical disconnect as well. So double Paul McCartneys for you all! :)
This is also my first non-Ulead video. Working with Vegas instead was an interesting challenge and the main reason this thing didn’t get finished this summer. It was definitely a learning experience, right from the first clip laid. But in retrospect, had I known what I was doing when I first started this, my approach would have been different and probably would have resulted in a very different vid. In this case, I think going into the dark black night only helped it. I did have trouble retaining the quality of some clips after coloring and effects, some of which I fixed, others of which I'm still wishing I could have fixed. But I love the freedom of pretty credits now, and wouldn't go back for anything. ;)
And yes, that is the Across the Universe version in the beginning and ending. I wish the two versions flowed into each other better, but I tried to supplement the change as much as I could with an audio bridge (stolen from Andrew Bird‘s [ha!] "A Nervous Tick Motion From The Head To The Left" if you're having a 'where have I heard that?' moment).
LYRICS:
Blackbird singing in the dead of night
Take these broken wings and learn to fly.
All your life
You were only waiting for this moment to arise.
Blackbird singing in the dead of night
Take these sunken eyes and learn to see.
All your life
You were only waiting for this moment to be free.
Blackbird fly, Blackbird fly
Into the light of the dark black night.
Blackbird fly, Blackbird fly
Into the light of the dark black night.
[Bridge]
Blackbird fly, Blackbird fly
Into the light of the dark black night.
Comments are like cake and cookies with frosting on top. :)
no subject
Date: 2009-10-27 05:27 pm (UTC)Your clip choice worked so well, too. With the quick looks at John as well as the parts with them as kids.
no subject
Date: 2009-10-27 06:59 pm (UTC)I really think that Blackbird can be the start of something bad, just as it tries to ring hopeful.
It really is a special song that can vary so greatly from hopeful and inspiration to sad and melancholy, depending on when and where you listen to it.
With the quick looks at John as well as the parts with them as kids.
Oo! I'm happy to hear you noticed that! I wish I could have fit more of John and them as kids, if only it was a tad longer song. But that image retrospectively haunts me in watching S4, with the idea that Little!Sam had no clue what was even going on there. It's easy to discount but imagining the total mindfuck of finding out you've been kept out of something so big for eight years of your life? Is just ridiculously horrible. UGH, Sam, why do you gotta be so tragic?!
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Date: 2009-10-27 05:43 pm (UTC)no subject
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Date: 2009-10-28 03:21 pm (UTC)So thanks for taking the time to comment. I really appreciate the feedback! :)
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Date: 2009-10-27 11:31 pm (UTC)no subject
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Date: 2009-10-30 02:27 am (UTC)Oh, that's actually really awesome to hear! I definitely can understand distance toward Sam in the last year but it's neat you thought the empathy came through for you here anyway. So, thanks!
what's that slight double displacement thing you mention there? Inquiring minds really, really want to know *hopeful*.
Oh, actually it's nothing really complicated. Just if you take two copies of the same audio and line them up on two different audio tracks so they play exactly together? Then shift one copy over a millisecond or so, and when you play them together, it will thicken the sound. After a point, the further your shift is, the less you'll get the fuller sound, and the more you'll hear a disconnect instead. Of course, you can do this trick to thicken the sound even more, with as many copies as you want, but it all depends on how small your increments are on the program you‘re using. I’ve found it helpful with older recordings that sound thin in comparison to modern recordings [which almost all now employ a similar (if way more complex) technique of overlaying sounds as the producing standard].
Err, not sure if that was what you were looking for, but hopefully it was somewhat helpful!
no subject
Date: 2009-10-30 05:45 pm (UTC)no subject
Date: 2009-10-30 06:16 pm (UTC)no subject
Date: 2009-10-30 05:20 am (UTC)no subject
Date: 2009-11-05 02:37 pm (UTC)no subject
Date: 2009-11-08 04:39 am (UTC)So, I enjoyed it very much, and at end said, 'Oh, Sammy', which I think was the right reaction. :)
no subject
Date: 2010-01-14 12:19 am (UTC)But it's always AWESOME to hear what you think, so thanks so much for your comment! I'm delighted to hear you enjoyed it, especially after your personal affinity for the song. :)
And I love that you felt it struck this middle note for you because it was a balance I was working for. "But he keeps trying" is just, yes, exactly. He has tried so much and so furiously hard the last two years, and still to end up where he is now, it just sends me into sputters to think about. UGH, TI, WHY DOES HE HAVE TO BE SO TRAGIC?? WHYYY?